PORTFOLIO > Current Work (2018-Present)

Strata
Painted paper, thread, wood and nails on wood panel
48” x 36”
2023
Catch My Breath
Painted paper, thread, wood and nails on wood panel
48” x 36”
2023
Mariner
Painted paper, thread, wood and nails on wood panel
48” x 36”
2023
Threshold
Painted paper, thread, wood and nails on wood panel
48” x 36”
2023
Mother Tongue
Painted paper, thread, wood and nails on wood panel
36" x 24"
2023
Van Brunt III
Painted paper, thread, wood and nails on wood panel
30" x 60"
2023
Byrne III
Painted paper, thread, wood and nails on wood panel
60" x 30"
2021
Surveyor
Painted paper, thread, wood and nails on wood panel
36” x 24”
2022
Surveyor - Detail
Painted paper, thread, wood and nails on wood panel
36” x 24”
2022
Byrne II
Painted Paper, thread, nails and wood on wood panel
60" x 40"
2021
Doldrum I
Painted Paper, thread, nails and wood on wood panel
48" x 24"
2021
Doldrum III
Painted Paper, thread, nails and wood on wood panel
24" x 18"
2021
Doldrum IV
Painted Paper, thread, nails and wood on wood panel
24" x 18"
2021
Doldrum VI
Painted Paper, thread, nails and wood on wood panel
24" x 18"
2021
Doldrum V
Painted Paper, thread, nails and wood on wood panel
73” x 36”
2021
Byrne I
Painted paper, thread, wood and nails on wood panel
24" x 48"
2020
Byrne - Detail
Painted paper, thread, wood and nails on wood panel
24" x 48"
2020
Stoop
Painted paper, thread and nails on wood
24" x 18"
2019
Stoop Detail
Painted paper, thread, wood and nails on wood panel
24" x 18"
2020
Blönduós IV
Painted paper, thread and nails on wood
24" x 18"
2019


I create dimensional, paper collages that explore my relationship to my environment. My work is not a replica of a physical place, but an expression of it. Referencing ideas of healing and repair, I deconstruct the world around me and then translate fragments into a new woven landscape that captures a sense of harmony. My studio practice begins outside as I explore my environment in an intimate way and find beauty in what is often overlooked. I am particularly drawn to source material that imbues a sense of history, time and place. The unique contours of a sidewalk crack, the multicolored strata of paint on an old iron fence and the uninhibited scribbles on a discarded piece of paper become the genesis of my work.

My process and materials inform the work; their strengths and limitations act as boundaries for fruitful exploration. I come from a lineage of seamstresses, and I am intrigued by the infinite potential of textile techniques. Borrowing from the structure and language of weaving, colorful clusters of cut paper are physically layered and suspended by the tension of the threads. Despite their delicate appearance, the collages take advantage of the material’s surprising strength. The picture plane is physically built up with the threads and overlapping colors creating a sense of movement as they harmonize and vibrate against each other. This visual rhythm touches on the need to find and cultivate beauty in a world that often feels burdened by noise and discord.